South of Midnight bottles up some very special Southern magic, but is it enough?

From the moment Microsoft and Compulsion Games first teased South of Midnight back in 2023, my interests have been piqued. I fell for the game’s stop-motion art style, eclectic cast of characters and its Gothic Deep South “folklorish” story-telling premise. As soon as Shakin’ Bones began strumming on his guitar, I was left wanting to know more.

But, what is it actually like to play? I went hands-on with South of Midnight last week, and I have to say, the game is absolutely beautiful. It has clearly been made with great attention to detail and respect for the Deep South by the team at Compulsion; the sights, the sounds, the music, the art – oh, they are . The entire world of South of Midnight is alive with natural energy. Insects chirp, birds squawk, rabbits gamble around, alligators laze in the waters. This is all backed with soulful guitars and choral singing, which immediately puts you right into the depths of the Deep South.

But, while the game itself has a wonderful atmosphere and setting, I do have some concerns.

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My preview build took place in South of Midnight’s third chapter, which is known as A Big Fish. At the beginning of this chapter, protagonist Hazel is searching for both her house and her mother Lacey, who got swept away by a hurricane. But it is not just Hazel’s home life the hurricane has rather unexpectedly affected. As Hazel makes her way through the world, it is clear there is something unusual going on. Gargantuan peaches can be seen here and there, a ghost by the name of Mahalia appears to Hazel as a spectral guide, and another voice calls out asking for help.